Know Your Enemy: Japan

During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.

War story of the 27th Panzers, Hitler's heavy-duty combat regiment composed of prisoners.

A Hollywood biographical film about a survivor's experience of the Armenian Genocide. Arshaluys (Aurora) Mardiganian plays herself in the film which is based on her published memoirs. It is thought to be the first film about made about genocide. All known complete copies of the film have been lost. A restored and edited 24-minute segment of the historic motion picture was released in 2009 by the Armenian Genocide Resource Center of Northern California. It is based on a rare surviving reel of film edited in Soviet Armenia.

The riots that were to spread across the whole of France in 2005 began in Clichy-sous-Bois outside the gates of Paris. What has happened since then? A school class in the Banlieue rehearsing a play discover the subversive power of appropriation.

Documentary chronicling the political machinations that led to the unprecedented, contested outcome of the 2000 presidential election, including the chaotic voter recount in Florida that ended with George W. Bush winning by a razor-thin margin.

On the eighth of April of King Gyoeng-deok's 10th year of the reign of the Unified Silla Period, Guseulagi, a daughter of Yu Jong, joins the king's parade to Bulguksa Temple, where she meets a stonemason named Asadal from Buyeo. Having a crush on him, she visits Sakyamuni Pagoda, a masonic site; only to find that Asadal had broken down from exhaustion. While she takes care of him, her love for him grows. But Asadal misses his wife who is waiting for him in Buyeo. Meanwhile, Geum Seong who has a crush on Guseulagi, asks his father, Geum Ji, to propose on behalf of him. But Yu Jong is so dissatisfied with Geum Ji because he is a treacherous subject, that he turns down the proposal, instead of hurrying up his daughter's marriage with Gyeongsin, a faithful subject. Asanyeo who has been waiting for her husband Asadal in Buyeo goes to Bulguksa Temple after her father-in-law had died.

Fifty years ago, the entire Creole population of the Chagos Islands was expelled by the British authorities. This secret operation took place to facilitate the leasing of the main island, Diego Garcia, to the US government so that it could build one of its largest and most secretive military bases overseas. As the military lease is about to expire, Chagossian exiles are attempting to recover their home in the middle of the Indian Ocean from Great Britain. The charismatic woman leading their fight in the UK is Sabrina Jean. Through unrelenting activism, including the exile community's improbable participation in the World Football Cup for Stateless People, she strives to keep the flame of hope alive in her community with one single goal: to return home. But as the elders disappear and memory fades, time is running out.

Eighteen years after her death, a poignant portrait of the formidable actress that was Marie Trintignant. No documentary has ever been devoted to the career of Marie Trintignant, whose tragic death at the hands of her partner unfairly overshadowed her career. In the form of a letter addressed to her daughter, Nadine Trintignant offers, eighteen years after her death, an intimate, fair and deeply moving portrait of this free-spirited and stubborn child of the ball, who, by starring alongside Patrick Deweare, Isabelle Huppert and Marcello Mastroianni, and shooting under the direction of Alain Corneau, Claude Chabrol, Pierre Salvadori and Samuel Benchetrit, left her burning imprint on cinema and theater alike. Archival footage, film and stage extracts provide a luminous account of the all-too-short life of this energetic woman, mother, actress and author.

Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.