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The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)
A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.
Michalina Wislocka, the most famous and recognized sexologist of communist Poland, fights for the right to publish her book, which will change the sex life of Polish people forever.
Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.
A new teacher at a highly problematic comprehensive school feels that corporal punishment may just be inflaming the problems, and so begins to campaign against it.
Teenager Mary has strong physical yearnings for her boyfriend, so she asks her mother for advice on what she should do about said carnal cravings.
George and Katherine plan to marry but war breaks out. When he returns on two weeks leave, but has his marriage proposal put down by Katherine, George enters a relationship with another woman.
A gritty tale of survival set against a city ripe with violence and corruption. The Naked City tells the tale of Alfonso and Aurelia, who with their infant daughter flee the scene of a traffic accident they inadvertently caused, leaving several people seriously injured. On the run, they check into a hotel in a different part of the town. By coincidence, or fate, the hotel is about to be attacked by a violent gang, who resume to hold everyone hostage, moving room to room raping, killing and brutalizing the guests. When it is turn to visit with the young couple it is their time to decide to succumb to the violence, or fight back.
In this dramatized warning to young women of the risks of venereal disease, Betty, a shop girl, pays a severe price for just one 'slip'.
In New York City, a relationship is threatened when a young man discovers he's caught syphilis from a tryst with a waitress named Ellie. This threatens his relationship with a new girl. Film critic Amy Taubin co-stars as the new girl who gets the bad news. The director is apparently the same man who edited Fritz Lang's The Testament of Dr. Mabuse.
A man feels so much guilt over being infected by venereal disease that he conjures up a personal trial over his own behaviour.