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One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.
After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.
Narumi has decided to retire from the underworld society with which he has been involved for 20 years. He also informs his colleague and attends his final smuggled handgun deal. Suddenly, shows up and the client is shot to death accidentally. That client was an undercover police investigator, so Narumi is now facing a predicament.
Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.
Takei Goro leaves the gang to quit the yakuza world, but the gang won't allow it and relentlessly pursues Takei. This is Watari Tetsuya's first film to star in Shochiku.
When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Fujio Yamadai, the third generation leader of Japan's largest organized crime group, Tamba-gumi, has passed away due to illness. Yamatatsu group leader Tatsuo Yamanaka (Hakuryu), who has become acting group leader, recommends Tamba group leader Kazuhisa Takemoto (Hitoshi Ozawa) to Kashira. However, Sumiko, the sister of the third generation Yamadai, who actually runs the Tanba-gumi, mentions that Takemoto is the man who will inherit the fourth generation of the Tanba-gumi. Eventually, the Takemoto faction and Yamanakaha became enemies, and the huge organization split into two. This spurs the assassination of the boss...
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.