Amashinga

Leni Riefenstahl's flamboyant Nazi aesthetics shaped the public image of the 1936 Olympics. Never before had sports and politics been mixed. Through archive photos and reconstructions, we get a closer look into the historical propaganda show.

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

A docudrama about four weeks in the life of famous Czech composer Antonin Dvorak. The drama - filled with many of Dvorak's compositions - begins when the composer suddenly decides to cut a concert in London and return home. While on the train, flashbacks reveal his relationship to his wife Anna and her sister Josefina. Both women gave him inspiration, yet Dvorak is clearly troubled in some way as musical excerpts come and go in his creative mind.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

In 1896, three survivors of a whaling ship-wreck in the Canadian Arctic are saved and adopted by an Eskimo tribe but frictions arise when the three start misbehaving.

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

This remarkable series of 10 short silent dramas by John M. Stahl, produced by Benjamin Chapin as a vehicle for his performance as Abraham Lincoln, are structured entirely around memory and recollections of the past.

Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor.

This program presents the life and ministry of George Muller, who cared for thousands of orphans in 19th century England. He never asked anyone for money. Instead he prayed, and his children never missed a meal.