Carta ao Capitão

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.

Violeta and Vyollca Dukay live in the south of Kosovo, close to the border with Albania. Faced with a very high unemployment in their country since the end of the war, they became deminers. They’ve been going to the minefields every day for six years now. The unique and very strong relationship that exists between the two sisters helps them to overcome their fear and to keep hoping in spite of the precariousness of their situation and the risks they run each day to earn their living.

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Jason Momoa's story of fatherhood, craftsmanship, and the legacy he'll leave behind.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.