1000-lb Sisters - (Dec 4th)
Christina in the Country - (Dec 4th)
FBI - (Dec 4th)
Bad Sisters - (Dec 4th)
You Would Do It Too - (Dec 4th)
Game Changers - (Dec 4th)
Shrinking - (Dec 4th)
The ReidOut with Joy Reid - (Dec 4th)
Windy City Rehab - (Dec 4th)
St. Denis Medical - (Dec 4th)
FBI- Most Wanted - (Dec 4th)
The Young and the Restless - (Dec 4th)
Lets Make a Deal - (Dec 4th)
Moonshiners - (Dec 4th)
Winter on the Farm - (Dec 3rd)
Tuttle Twins - (Dec 3rd)
The Bad Skin Clinic - (Dec 3rd)
Im a Celebrity... Unpacked - (Dec 3rd)
The Beat with Ari Melber - (Dec 3rd)
The Martin Lewis Money Show - (Dec 3rd)
Those in the minority – no matter what the defining trait associated with that might be – often find comfort, support and camaraderie in the company of kindred spirits when surrounded by others who don’t share this commonality. For African-American students at Yale University in the 1990s, this could be found at “the Black Table,” a gathering spot for those similarly situated within Commons, the university’s legendary cavernous dining hall, a venue resembling a setting out of the “Harry Potter” movies. The Black Table served as an oasis for students of color in the midst of a predominantly White (and not always particularly tolerant) student body, a place where they could share ideas, swap stories, engage in discussions (sometimes heated) and find common ground. The experiences of students who availed themselves of this era’s version of a social network thus provide the basis for this documentary from writer-directors John Antonio James and Billy Mack. The film examines what the students gained from their interactions with one another and how they collectively faced the sometimes-challenging conditions that prevailed on campus and in society at large at the time. It also serves as a springboard for explorations of an array of other subjects, such as the impact of affirmative action on minority admissions (a controversial program that was undergoing change at the time) and how their tenure at Yale prepared them for life after college. However, “Black Table” works best when it focuses on the aspects associated with its core premise, its offshoot tangents frequently getting somewhat off-track and acting more like filler. And, because of that, the end result here inevitably reveals that there may not have been enough material in the first place to build a full feature film around it. Indeed, this release likely would have made a better extended short or episode of a PBS series. The alumni’s time at the Black Table obviously meant much to them, but those experiences would have made for a better film with greater depth and attention focused on them than what this release ultimately offers.