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An old saying about those who were once sheltered from the ways of the world but miraculously blossom when exposed to the panorama of life astutely maintains, “How are you going to keep ʼem down on the farm once they’ve seen Paris?” It’s a sentiment that’s equally applicable to many other cosmopolitan, urbane locales, such as the free-wheeling, uninhibited pace of life in Amsterdam, as a gay male couple from a small Dutch town discover when they relocate to the big city to attend film school. In many ways, it’s a dream come true, providing them with an opportunity to cast off the shackles of a restrictive, closeted lifestyle in favor of something eminently more liberating. But is it really the panacea they’ve long hoped for? For Tom (Bas Keizer), it’s more than he bargained for as he struggles to cast off his conservative smalltown ways (including continuing to insist that he’s bisexual and not the out and proud gay man he’s been reluctant to openly acknowledge), while, for his partner, Ajani (Jefferson Yaw Frempong-Manson), it’s a chance to finally cut loose and truly be himself. Tom is also disappointed with his film school experience, finding it difficult to fit in as a would-be arthouse auteur among peers who are far less constrained (and less condescending) in their creativity and artistic sensibilities. Ajani, meanwhile, grows increasingly concerned that his partner is having trouble at school and not availing himself of the city’s unrestrained LGBTQ+ experience, staying stuck in his uptight ways. Over time, these conditions give rise to a disconnect between them, one that threatens the future of their relationship and the end of a dream they had long awaited to fulfill. Writer-director Dennis Alink’s latest provides viewers with an insightful look into the urban gay lifestyle in both its positive and negative attributes, not to mention how two seemingly likable characters can both be major jerks when they want to be, both with their emerging circle of friends and with each other. Shot in stunningly gorgeous black and white in quasi-documentary style, the film serves up an array of both gorgeous and “ugly” imagery, giving audiences an unfettered look at a community that clearly has two sides to it. Admittedly, the narrative at times meanders a bit too much for its own good, but it generally does a commendable job at showing rather than telling in conveying its message, making its points and presenting its story. “Out” is a film that earnestly makes clear “gay” doesn’t always equate to “happy,” but it also lets us know that the satisfaction level of our experience depends heavily on what we ultimately do – or don’t do – with it.
Fifteen year-old Xian goes to live with her father while her mother, a doctor, takes a job in Africa. Soon, she becomes fascinated by her father's stepdaughter, a swaggering, liberated and slightly melancholic young woman.
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.
Two teenage boys idle away a seemingly ordinary afternoon, but as events stir up hidden feelings, confusion leads to the testing of boundaries.
An obsessive mother, on the verge of a nervous breakdown. A father, carefully blotted out from all the family photos and a dreadful child-psychiatrist with unconventional methods - This is the summary of young Hazel's life, secretly attracted to boys...
Samuel, the last free-diving fisherman, has lived isolated in the island of La Aguja since he was abandoned by his wife and son 15 years ago. His life is disrupted when his son shows up now as Priscila, a transgender prostitute from the streets of Santa Marta, Colombia.
Léto, a young trans and gay man, lives in a small, social housing apartment near Tours. During the day, he kills boredom on his phone from the ticket booth of a movie theater on its last legs. But where he's looking for feelings, he's only offered sex. So at night, he flees disillusionment by heading for the stars. The roof of his high-rise building is like his moped: a refuge, an escape. However, one morning, the parking lot of an ice rink becomes the setting for a life-changing encounter when he comes face to face with Hamza, a solitary employee with an enigmatic charm. The emotional disturbance is immediate. With all due respect to the scoundrels!
Andreas and Alessandro are two friends who have known each other since their childhood. Now that they have grown up, they study at University in different cities but they always spend the summer together in the place where they were born: a seaside resort that regularly fills up with tourists every year.
A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.
Uri, a 50 year old family man, has a romantic secret relationship with Oded, a young man from their small town in the south of Israel. During a trip in the desert, the two are forced to deal with the tragic consequences of their type of relationship.
Set in a parallel universe where the sexual bias favors homosexuals, Eric, a struggling heterosexual, admits himself into a straight conversion camp. What begins as a cure to his deviant lifestyle, becomes a journey of self acceptance.