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"Prayash" is a poignant short film that delves into the struggles of a young boy battling poverty while nurturing ambitious dreams of becoming an IAS officer. Directed with sensitivity and insight, the film portrays the harsh realities faced by countless individuals striving for a better life amidst adversity. The protagonist's journey is deeply moving, as he navigates through financial constraints, societal pressures, and personal doubts. The film skillfully captures the emotional turmoil and resilience of the human spirit, highlighting the sacrifices and determination required to pursue one's aspirations against all odds. The cinematography effectively conveys the stark contrast between the protagonist's humble surroundings and his lofty aspirations, enhancing the thematic depth of the narrative. The subdued color palette and evocative imagery immerse the audience in the protagonist's world, fostering empathy and understanding for his plight. The performances are compelling and authentic, particularly by the lead actor who delivers a nuanced portrayal of the protagonist's internal struggles and external challenges. The supporting cast also shines, adding depth and complexity to the narrative. Overall, "Prayash" is a thought-provoking and emotionally resonant short film that sheds light on the universal themes of perseverance, hope, and the pursuit of dreams. It serves as a poignant reminder of the resilience of the human spirit in the face of adversity and inspires viewers to reflect on their own aspirations and the obstacles they may encounter along the way.
Molly (35), a trans woman, takes care of her father Manuel in the house she abandoned in her adolescence. When a woman visits him unexpectedly, they are both forced to face their fears and expectations.
WHAT IS THE BEST FOR HIM? HIMSELF? THEM? HER? A twenty-year-old young man sees himself as someone who struggles in social life. One day, while looking in the mirror,he sees a change in himself, and from then on, everything started to change.
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.
Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.
Due to drug abuse, a 13-year-old boy is placed into a detention center for young offenders. After a week, the judge will decide if he must stay there or go back home. Confronted with the adults, the judge, the psychologist and the social workers, the boy uses his most effective power to rebel against them all: lying.
Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.
After an intense fight with Clubber Lang and the death of his trainer Mickey, Rocky Balboa is left devastated. Former rival Apollo Creed steps in to help Balboa get back his fighting spirit.
A sneaky duo has tricked the trains and taken over Mission Station! Can Flicker flex his skills on the tracks to rescue his friends and save the day?
A young llama named Koro discovers that the grass is always greener on the other side (of the fence).