Moto que? MOTOSHORROS

An impromptu D.I.Y. documentary compiling interviews with all 4 bands that played the first ever Yardcore, an event based in Birkenhead, Merseyside to showcase the underground of local extreme music.

Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.

A documentary music film that maps the Czechoslovak punk scene and some of its protagonists in the collapsing communist era. The music for this short film was composed by the then newly founded band Wanastowi Vjecy.

In 2004 a group of friends took the stage at a small coffee house in Dekalb Illinois with the sole purpose of pissing off everyone. Surprisingly, enough people liked what the band was doing that they continued to play music under the name Weekend Nachos. This documentary simply tells the story of Weekend Nachos.

Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”

Before there was ever a 108, Inside Out or Quicksand, there was Beyond. And in 1988, Tom Capone and Kevin Egan took their seven song demo recorded in their hometown of Holbrook, NY and brought it to Some Records on the Lower East Side of Manhattan. From there, everything took off. WHAT AWAITS US, A Beyond Story is a documentary that, not only chronicles the history of the New York Hardcore band, Beyond, including their origin, their adventures and their demise after recording what is now considered an iconic record, but also depicts Egan's journey from New York to California as he tries to figure out where Beyond fits into his life today. The film includes interviews with members of the band, along with interviews with members of Quicksand, Gorilla Biscuits, Youth of Today, Judge, Burn, Bold and more.

In his Mangwon-dong basement art studio, a media artist Song Hojun dreams of making a satellite and shooting it out to space. He wants to make his dream real through OSSI(Open Source Satellite Initiative) movement. He tries to build a BIY satellite, and to sell 10,000 T-shirts for the 100 million won budget. His seemingly reckless and utterly ambitious project begins. Would his dream become real?

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.

January 13th, 2024; Suffolk County's punk, grunge, and emo scenes are showcased through the more than a hundred attendees at Caveversary; an annual celebration of the independent basement venue, The Cave.

Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.