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Using the baronial Traquair House in the Scottish borders and a fair smattering of Jacqui McShee's dulcet tones, Roddy McDowall attempts to re-create a story from 16th century folklore about a magical Queen of the Fairies who surrounds herself with youth and beauty. He's time-shifted the scenario to the 1960s though, and it's the enigmatic "Micky" (Ava Gardner) who is doing the alluring. Top of her target list is the handsome young "Tom" (Ian McShane) but fairly quickly you gather that his is bit of a transitory role in the life of his lover. What she isn't used to, though, is competition - and that comes in the form of local minister's daughter "Janet" (Stephanie Beacham). With most of her acolytes desperate to stay in favour and enjoy all the wealth that brings, "Tom" rather bucks the trend as he demonstrates an independence streak that evokes that even older adage: beware the woman scorned. For a time this works quite well as it marries the haunting soundtrack with a sense of the carefree existence she promotes for her "children", but after the umpteenth close up of Gardner and/or McShane whom the camera clearly love, the story grinds to an almost glacial pace with little effort made to develop the fantasy elements of the story. Richard Wattis turns in an interesting effort as the general factotum "Elroy" - a man who serves his mistress with a slightly menacing degree of loyalty, but that isn't really built upon either. The photography and limited use of visual effects can be quite effective at times, especially at the end but somehow I felt like I was watching their antics through a plate glass window. It's certainly a modernised critique on the human vices of venality and frivolousness but too much of it is padding and it's all somewhat lacking in substance.
After a series of brutal slayings, a teen and her friends take on an evil force that's plagued their notorious town for centuries.
In 1978, two rival groups at Camp Nightwing must band together to solve a terrifying mystery when horrors from their towns' history come alive.
In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it's up to teenagers in 1994 to finally put an end to their town's curse, before it's too late.
This is a sequel to the film Guna-guna Istri Muda ("A Young Wife's Witchcraft"). The husband, Arifin, realizes his bad behavior and divorces his second wife, Sandra, to go back and live with his first wife, Tati. Sandra is vengeful about the one-sided divorce. She asks for the shaman’s help, to use black magic to destroy Arifin’s family. Chaos ensues in the family, including during a wedding reception of the son. At a critical moment, a savior arrives.
A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had burned at the stake. Peter reads aloud the incantation that causes Baron Blood to return and continue his murderous tortures.
On the night of first harvest, three brothers in the American West set out to see a dead witch buried by their friend. When they accidentally desecrate the body, they learn the only way to stop a curse on their family is to burn it before sunrise.
While travelling in Edinburgh to research her book on Scottish Witch trials, a best-selling Horror writer is hounded by both a stalker and a potentially paranormal threat, challenging her skepticism of the otherworldly in this suspenseful Found Footage horror film
A young couple struggling with infertility seeks the aide of a healer with a promised remedy, while unknown forces also work to provide them with what they wish.
A conflict broke out among the people. Those accused of being sorcerers or practicing black magic were killed without a chance to defend themselves. Chaos ensued everywhere. In a pesantren (Islamic boarding school), there was terror just as dangerous. The teachers and students were killed one by one. One of the students, Satrio, tried to save himself from the storm of conflict while ensuring the safety of his parents, who were also at risk. Satrio also sought to uncover the mastermind behind the terror attacking the pesantren.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
Two sisters go looking for a tree, but the one they take home with them might bring the attention of a mysterious witch cult.