Une Odeur de Géranium

A broken family is forced to come together when 16 year old Finn and his livewire younger brother Charlie run away from trouble at home in England to reach their estranged grandfather on Ireland’s stunning and wild west coast.

The story of a small, simple and happy family in which a boy, a manipulator, violently enters, which distorts the life of this wonderful fifteen-year-old and makes her a nightmare.

After a tragedy, a lost boy navigates a mystical forest where he comes face to face with is own fears and trauma.

After her father's death, a recluse runaway returns home to face her former life.

A satirical dramedy loosely inspired by the infamous UK Miners' strikes; however this time, the fight isn’t in the pits, but on the stage. With his beloved family trade targeted by a right-wing government with a long-standing hatred for the arts, a Mime performer desperately rallies the troops for a silent revolution, vowing to save the art form from facing the final curtain.

An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.

Symphony doesn't seem to know whether she wants to be angry or fair, having developed an enormous hate for her ex, Tyler. Tyler's frustration as he tries his best to remain calm throughout the agony he's had to endure comes to light.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A wealthy 73-year-old grandmother - a single mother who raised five grown children on her own. As they grew up, each person built their own lives and families. Suddenly, a crisis strikes, revealing hidden corners, sorrows, worries, and burdens deeply embedded in the mother's heart. Who bears the responsibility?

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.