Nohejbal

Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.

A film about filmmaking.

Josh Thomas is an artist grieving the loss of his wife, channelling inner turmoil into art. When presented with an opportunity, Josh must decide whether he’s selling art or his emotions.

Two roommates find themselves becoming more and more similar in an unsettling way.

A high-school student decides to poison her classmate in order to pass an AP-Photography test

Two strangers develop an unexpected relationship after a chance meeting at a party. Inspired by David Ives' 'Sure Thing'.

In rural 1950s Ireland, Emer's only daughter is rushed away to hospital after being badly beaten by her teacher. In defiance of her husband, she marches down to the headmaster's office. Faced with systemic abuse, Emer decides to take matters into her own hands.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.