Beatles 64 2024 - Movies (Nov 29th)
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Unsolved Mysteries - (Oct 2nd)
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Outlander - (Nov 29th)
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Im a Celebrity... Unpacked - (Nov 29th)
Landward - (Nov 29th)
This Cultural Life - (Nov 29th)
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Ant Anstead- Born Mechanic - (Nov 29th)
Harry Potter- Wizards of Baking - (Nov 29th)
Gutfeld - (Nov 28th)
Hannity - (Nov 28th)
Jesse Watters Primetime - (Nov 28th)
Special Report with Bret Baier - (Nov 28th)
The Five - (Nov 28th)
The Ingraham Angle - (Nov 28th)
Inside the Tower of London - (Nov 28th)
An experimental video essay which uses circles and waves to explore neurodivergent experience.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.
Shot on three cameras over the life cycle of one snowfall, Decaying Vessel is an expression of transness and the feeling of being stuck in a body bound by time.
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.