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The One Show - (Mar 29th)
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Despite having a pretty lacklustre cast, this is still quite a watchable story of grit and determination set during the American depression. John Qualen ("Chris") - more frequently seen in the more eccentric supporting roles of John Wayne movies - stops by the farm of Tom Keene ("Tom") and "Mary" (Karen Mosley) who have fled the city in the hope of making a new life for themselves on an old farm owned by her uncle. He is invited to stay to help them, and they gradually they realise that by helping each other they can accomplish more, and more efficiently too, so establish a co-operative of locals and out-of-work visitors. The precision involved in their marvellous ditch digging scene proves that point effectively as they must quickly divert a nearby stream (that assumes rather Ganges-like proportions by the time they have finished) to save their drought affected corn is entertaining to watch, and the story reinforces the pioneering determination to try to make a go of things, despite the odds. Sadly, the on-screen talent - aside from Qualen - is pretty mediocre and the production is pretty basic - both of which do hold it back. As a comment on the social and community impact of the downturn in the late 1920s and 1930s - it has still some poignancy, though.
A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.
A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
A Russian poet, Andrei and his interpreter, Eugenia travel to Italy to research the life of an 18th-century composer.
An allegorical comedy centered on two childhood sweethearts who seem destined for one another until the women of their isolated village, angered by male indifference toward the water shortage, go on a sex strike that threatens the young couple's first night of love.
When an oil rig in the Gobi Desert of Mongolia proves unproductive, an aircraft crew are sent to shut the operation down and fly them out. On the flight out over the desert on the way to Beijing, Capt. Frank Towns and co-pilot A.J. are unable to keep their cargo plane, a C-119 Flying Boxcar, in the air when a violent sandstorm strikes. Crash-landing in a remote uncharted part of the desert, the two pilots and their passengers - a crew of oil workers and a drifter - must work together to survive by rebuilding the aircraft. Soon, low supplies and a band of merciless smugglers add even greater urgency to their task.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
Struggling financially and dependant on his livestock, The Farmer must search for his lambs when they are stolen the day before the big market.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
I Go Further Under is inspired by the true story of Jane Cooper who, in 1971, at 17 years of age, arrived in Hobart from Melbourne and asked local fishermen to take her to a remote island where she intended to live in solitude, hoping to remain there permanently despite having limited means and no plan of how she would survive the long winter months. She lived in almost total isolation for 12 months despite her act of withdrawal triggering controversy both politically and within the media. I Go Further Under incorporates aspects of Jane Cooper's story to delve into an ambivalent space of escape, unpacking the associated experiences of detachment, isolation, surveillance, insanity and severance. It follows the hesitations, reluctance and fragility of leaving here and going elsewhere, away from North, deep into the idea of South.