Wedlock House: An Intercourse

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Two 20-somethings take the next step in their long-distance cyber romance: meeting in person for the first time during an exotic vacation in W Doha. Will their tech-enabled feelings hold true in real life?

A woman experienced violence by her own husband on a remote road. A man passing by managed to save him. However, there was something strange about the woman that the hero didn't realize on the quiet street.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.

How do you ask a wild, impetuous hairdresser on a date if you're a pathologically timid philosophy student with no social skills?

A demon stuck with spirit board duty falls for a girl on the other side.

A lesbian short film released by RelaApp as a valentine's day special starring real life couple SUN&Shou. One is a righteous, thoughtful, and introverted martial arts master, and the other is a clever, cunning, and arrogant demon. They admire each other and work hand in hand to plan against the enemy; however, they can't help being from two different worlds. In the end that is no match for their lovesickness and affection, the lovers get married.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?