A Primavera Há de Chegar

The story of those Italian women who, for eighty years, have fought against power in all its forms.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

In the special episode of Tapas & Beijos, titled "The Great Reunion", Sueli and Fátima come together five years after the series ended. They navigate new challenges and humorous situations, showcasing their characteristic friendship and irreverent humor. The episode serves as a nostalgic farewell, celebrating the best moments of their chaotic lives while addressing relatable issues.

In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.

Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.