l'eau tonne à minuit

Simon Willerton's suicide in 1990 brought to six the number of young prisoners who hanged themselves in British prisons in just over six months, prompting public debate over conditions in remand prisons like Armley where overcrowding was so severe that no new inmates could be admitted. Simon faced a burglary charge over the theft of a hot-water bottle from an unoccupied flat. Less a hardened criminal than an immature, gawky teenager who never fitted in, Simon and his tragic death inspired this teleplay.

When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

A gambler, fresh out of prison, and a beautiful hooker find themselves caught in an underground scheme that's spinning wildly out of control.

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.

U.S. Marshall John Kruger erases the identities of people enrolled in the Witness Protection Program. His current assignment is to protect Lee Cullen, who's uncovered evidence that the weapons manufacturer she works for has been selling to terrorist groups. When Kruger discovers that there's a corrupt agent within the program, he must guard his own life while trying to protect Lee's.

Take The Bridge is a 2007 independent film from Sergio M. Castilla about four young adults who all try to commit suicide on the same day and how they meet up and become friends. The film Premiering at the 2007 Tribeca Film Festival.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

When an undergraduate commits suicide, his best friend is sent down from university because he did nothing to prevent the death, which he felt was a choice his friend had a right to make.