Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
A Quiet Place Day One 2024 - Movies (Jan 20th)
From Ally to Zacky 2024 - Movies (Jan 20th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Repair Shop on the Road - (Jan 20th)
Love Island- All Stars - (Jan 20th)
Murdoch Mysteries - (Jan 20th)
Forensic Factor- A New Era - (Jan 20th)
Katy Tur Reports - (Jan 20th)
Deal or No Deal - (Jan 20th)
Richard Osmans House of Games - (Jan 20th)
Panorama - (Jan 20th)
Outnumbered - (Jan 20th)
Hannity - (Jan 20th)
The Five - (Jan 20th)
Bargain-Loving Brits in the Sun - (Jan 20th)
PULISIC - (Jan 20th)
Junior Bake Off - (Jan 20th)
Wipeout - (Jan 20th)
Pictionary - (Jan 20th)
Saint-Pierre - (Jan 20th)
Family Feud Canada - (Jan 20th)
Hamster and Gretel - (Jan 20th)
Bargain Hunt - (Jan 20th)
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
The Quran is the Holy Book of Islam, a religion shared by more than a billion followers worldwide. For the Muslim tradition, since its revelation to the Prophet Muhammad between the year 610 and 632 of the Christian era in Mecca and Medina, the Koran is immutable, and has remained maintained. However, recent discoveries of Koranic manuscripts analyzed by scientists, dated around the year 680 - the oldest known in the world - revealed that the Koran has a history. During the first century of Islam, and before the canonical version of the Caliph Uthman imposed itself, the holy book of Islam would have known competing versions, a different organization of the suras, variable readings due to a writing, in its beginnings, very rudimentary… It is to this meeting of knowledge, at the crossroads between the Muslim tradition and scientific research, that this journey to the origins of the Koran invites.
Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
What kind of world power is Iran becoming, and how will Western countries deal with it?
Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the torturously disturbing "ordinariness" of living under constant curfew. The film's title reflects this, as the Arabic words used to describe the imposed curfew "mane' tajawwul" literally translate as "forbidden to wander". The video is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.