Ryan the Caillera

An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.

A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.

A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.