Colombophilie

Faced with a plague of pigeons spreading through her hotel, a housekeeper will try to dispose of them and, in the process, confront what lurks inside herself.

There's big money in pigeon racing if you've got a fast flyer, and Joe Desmond's blue-pied hen is a natural winner. But Joe's lucky streak with the birds has gone on a bit too long for the comfort of his competitors. It's time someone else had a turn. Mal Middleton's comedy was filmed on location in his home town of Sheffield.

A pastel animation produced by Sheila Graber and based upon the short story by Sid Chaplin. Narrated by north east broadcaster Mike Neville the film tells the story of Geordie, a miner, and his love for his pigeons and the trials and tribulations of his passion which is very popular around the region. The face of Sid Chaplin is used as Geordie.

An agoraphobic man is bitten by a bird after taking it in from a fall, causing his body to transform.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Megacities is a documentary about the slums of five different metropolitan cities.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.