War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Reeling from his sister’s death, a NYC playwright searches for fulfillment in a sex-and-drug filled odyssey. When he’s reunited with a childhood love, their shared journey of self-discovery catalyzes a profound, existential awakening.
Two young university students wish to escape the oppressive Soviet Union. But their plans are monitored by the KGB, who try to intimidate them. One of them is taken into custody and tortured, which spurs them to make an escape attempt that could cost them their lives
Laurent van Horn is the leader of a band of Dutch refugees on a ship seeking freedom in the Carolinas, when the ship is wrecked on the coast of Cartagene, governed by Don Juan Alvardo, a Spanish ruler. Alvarado has Laurent thrown in prison, but the latter escapes, and five-years later is a pirate leader. He poses as the navigator on a ship in which Contessa Francesca, daughter of a Mexican noble, is traveling on her way to marry Alvarado, whom she has never seen. Laurent's pirates capture the ship and Francesca, in order to save another ship, gives her hand-in-marriage to Laurent, who sails her to the pirate hideout. This irks his jealous pirate comrades Anne Bonney and Captain Benjamin Black. They overpower Laurent and send Francesca to Alvarado, and then Mario du Billar, a trusted right-hand man, makes a deal to deliver Laurent to Alvarado.
In 2032 an eight-year old boy, displaced by global warming, fends for himself as an environmental refugee in a hostile northern metropolis. Haunted by memories of flooding that left him homeless and orphaned, the boy forms an unexpected friendship with an Inuk ice carver who helps him confront his past.
In Belgium today, a young boy and an adolescent girl who have travelled alone from Africa pit their invincible friendship against the difficult conditions of their exile.
In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.
Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.
Outaouais, summer 1996. Solange, a 23-year-old Rwandan refugee, finds political asylum in Hull with her four-year-old daughter Lisa. Their integration process is fraught with obstacles and nothing goes as planned. Solange forges a friendship with Nyota, her Congolese-born neighbor, who helps her navigate her new home. From the heavy heat of summer to the first snowflakes of winter, Hamwe follows the pivotal moments of Solange and Lisa's journey towards permanent residency. Together is an ode to the land of welcome that is Quebec, but also to the resilience of my mother and the millions of other political refugees and economic immigrants.
A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.
A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.