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It’s one thing to question authority and official explanations of highly public events; it’s something else entirely to portray them in a wholly falsified light, especially when done so in a ridiculing manner that causes tremendous personal pain. Such is what happened when conspiracy theorist broadcaster Alex Jones fanatically contended that the December 2012 mass shooting at Connecticut’s Sandy Hook Elementary School was a staged false flag event aimed at prompting the seizure of the private citizens’ firearms, essentially gutting the guarantees of the Second Amendment. Jones vociferously claimed that the event didn’t happen as reported in the mainstream media, that it was all pulled off with actors and that no one was killed. He openly mocked the public grieving of devastated parents through a relentless campaign of blatant disinformation, effectively enabling him to convince nearly a quarter of the nation’s population into believing his story. Finally, after many anguishing years (including unbridled derision, public ridicule and death threats from disbelieving fanatics and hecklers), those who lost loved ones fought back, filing defamation suits in Jones’s home state of Texas and in Connecticut, site of the tragedy. Documentarian Dan Reed’s latest feature chronicles the events of this troubling story with no-holds-barred candor, capturing the searing pain of the Sandy Hook families, Jones’s cartoonish out-of-control bluster and extensive courtroom footage of the two trials. Shot over four years, the filmmaker effectively captures the crazed ravings of a two-faced, delirious conman whose self-serving self-promotion efforts made P.T. Barnum look like a rank amateur by comparison. But what’s perhaps most unsettling here is the film’s uncompromising depiction of someone who honestly believed he could publicly say whatever he wanted through today’s powerful, far-reaching communications technology – regardless of its truthfulness – and get away with it, a truly potent cautionary tale for our times. “The Truth vs. Alex Jones” poignantly reminds us of the precious nature of freedom of speech and the need to protect it, especially where matters of responsibility are concerned. Indeed, the First Amendment may allow us to express ourselves, but it doesn’t give us license to lie.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
In the aftermath of the February shooting at Marjory Stoneman Douglas High School that left 17 dead, filmmakers Emily Taguchi and Jake Lefferman traveled to Parkland and began filming with students who endured gunfire and the parents who lost their children in the crosshairs. "After Parkland" is an intimate chronicle of families as they navigate their way through the unthinkable; reckoning with unexpected loss, journeying through grief, and searching for new meaning.
Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Presents a check-passer describing the tricks of his trade. Explains how a conscientious check-out clerk can easily trip him up.
After John Wilkes Booth assassinated President Abraham Lincoln, he escaped to Maryland and was discovered hiding in a barn. After he refused to surrender, the barn was set afire and Booth died in the blaze. However, in 1903 a Mr. David E. George, while on his deathbed in Enid, Oklahoma, claimed to be John Wilkes Booth. This MGM An Historical Mystery series short presents evidence of the possibility that Mr. George's claim was true.
Dejan is an ordinary guy living in post-communist country. But each time a Chinese delegation visit his country, he’s treated as public enemy: state security taps his phones and tails both him and his family. The reason is he’s practising Falun Gong. But what is Falun Gong? Why is it banned and persecuted in China and what is the connection with Serbia? By following the events on the margins of Chinese Summit held in Belgrade in 2014, when police unlawfully detained 11 Falun Gong activists, we discover a story. The activists were held to avoid spreading the truth about Falun Gong in China. Through their testimony in this film, as well as Dejan’s exclusive video materials, the truth is finally brought to the light of the day. It's the bitter truth about China and the whole world we live in.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
It is widely believed that the 9/11 attack was an inside job - but by whom? Many believe it was a political ruse to instigate war with the Middle East and to justify removing many of our civil liberties. Also, since 9/11 we have been placed under a microscope, our privacy removed as we are being watched and profiled by a sinister force with a malevolent agenda. The theories and conclusions that the Government was responsible, though partially true, have taken a surprising new twist - as there may be another explanation, one much larger in scope and much more terrifying.
It is taking decades for Canada to come to terms with its history in the Arctic, and with its relationship to all its indigenous people. “Kikkik” is the story of government mistakes and neglect, of starvation, murder, freezing death, but, in the end, a kind of justice that helps restore our faith in human decency. In 1958, the Inuit woman Kikkik was charged with murder and criminal negligence leading to the death of her child. Her trial and our visit back to the place and to Kikkik’s children confront us with a legacy that’s still a challenge for Canada.
