Underwater Light Dance

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Lucy discovers the body of a Second World War pilot in the village pond.

Two young women retreat to a remote holiday home. While one of them undertakes a medical abortion, the other quietly cares for her. A snake slithers around them, unnoticed.

This 1950s' film looks at the measures to preserve water flow from the Rocky Mountains. With the steady falling of the water table, the exploitation of timber stands and the recession of glaciers, water conservation was an urgent concern of the Alberta and federal governments.

P.A.K. is an intensely personal document expressing the alienation, pain, and trauma of a prison experience. Using techniques of German expressionism, it examines the social and institutional forces that inform one's subjective self-definition. Stark contrasts, are combined with harsh prison reality with escape into the fantasy, beauty, and grace of classical ballet. The conflict is underscored by elements of the sound track: reverberating prison noises, the uncompromising music of punk rock and voice-over readings from the poetic works of notable writers and political prisoners Oscar Wilde and Breyton Bretonbach.

eyes roam / dancing in step with / my feet which praise the ground

Liam, crippled by his fear of intimacy, remedies his hunger for touch through trips to the beach where he fantasizes a life of connection. His voyeuristic daydream is challenged by a young man, Brayden, who decides to pursue him.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage

Tatum Emerson and company debunk Caleb McCarthy's "The Definitive Water Review" with facts, evidence, and STEM knowledge.

Ken Jacobs applies his patented Eternalism process to 3D images he took of Jackson Pollock's 1954 splatter painting.