Black February: Music Is an Open Door

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

Eric Clapton: Live at Budokan

Gregory Porter One Night Only – Live at the Royal Albert Hall captures the two-time GRAMMY-winning singer in a stunning live performance at the famed London venue with his band accompanied by the London Studio Orchestra conducted and arranged by Vince Mendoza. Porter sings songs from his acclaimed recent album Nat King Cole & Me, as well as favorite songs of his own including “Hey Laura,” “No Love Dying,” “Don’t Lose Your Steam,” and “When Love Was King.”

The daughter of jazz pianist Joe Albany witnesses her beloved father's struggle - and failure - to kick his heroin habit.

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen - through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things - that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers - that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."