Bulimia: The Musical

This live TV adaptation of the Broadway musical "Dearest Enemy" from 1925 is based on an American Revolutionary War incident in September 1776 when Mary Lindley Murray, under orders from General George Washington, detained General William Howe and his British troops by serving them cake, wine and conversation in her Kips Bay, Manhattan home long enough for some 4,000 American soldiers, fleeing their loss in the Battle of Brooklyn, to reassemble in Washington Heights and join reinforcements to make a successful counterattack.

Ben’s perfectly planned future gets derailed when Sara crashes his proposal dinner.

Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.

The Peanuts gang is nervous about going to a new school, so Lucy starts her own. She soon learns that teaching is tougher than she thought—and that change can be a good thing.

Set in 1960s India, Archie and the gang navigate romance, friendship and the future of Riverdale as developers threaten to destroy a beloved park.

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

When a B-list actress gets canned from her network show, she takes the only other job she's qualified for: a Christmas Elf at the mall.

Ambassador Rico DeMarco is in Washington trying to raise a five-million dollar loan for his country, Lower Salamia. Filbert Filmore and his domineering wife are about to sign on the dotted line for the loan when DeMarco's vivacious daughter, Estelita, upsets the deal by accidentally knocking hot coffee over the papers--and Mrs. Fillmore, who leaves the house in a huff. When word of the difficulties filters back home it's Viva la Revolution. But Estelita, disguised as a fortune teller tries to convince astrology believer Fillmore that the stars are propitious for his making the loan.

Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.