Russell & Jameela

Two best friends struggle to keep their friendship while dealing with the feelings they have for one another and the pressures of society.

The Museum of Broken Love is a museum where items left over from people's ended relationships are exhibited. Ali's job, when he started working at the museum, is to inventory the incoming items and place them in the exhibition areas. Ali's days change when a man who catches his attention leaves a box at the museum.

Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.

A graduating high schooler navigates a world of seemingly inevitable chaos by finding order in the number 7.

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

A Japanese-Chinese couple hangs out and shoots each other.

Dado is loving and responsible husband. He also told stories to his loyal customers, Alas and Pablo the secret of his strong relationship with Isay and how to treat women correctly. Eventually, the origin of the saying "Kwentong Barbero" will unfold as Dado shares his love conquest tales.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

With gender and identity in flux, Corey and Mia struggle to redefine their relationship.