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A story based on real events that happened in Zimnicea, Romania, on March, 4, 1977, the day of the great earthquake. Everybody knows that 80% of the city was destroyed on that day, and 40 years later, they learn by whom.

This Romanian dramatic comedy offers metaphorical commentary on life after Ceausescu's reign as it tells the story of a rural community turned topsy-turvy in their mad quest for the snails a prominent senator has requested for his dinner. The trouble begins when a rather imposing, pompous senator comes to visit a small rural Romanian town for a ribbon-cutting ceremony for their new hydro-electric dam. After he finishes his speech, the senator is accosted by a Swiss film crew eager to interview him. The senator is inordinately concerned with presenting a positive image of Romania to the world at large and so when he learns that he and the journalists are to stay at the same villa, does everything he came to make sure that they see nothing scandalous.

During the quarantine, some dedicated students have decided to adapt an Eugen Ionesco play into a short film. They all filmed themselves at home. This version isn't looking for coherence. The only 3 characters of the play are portrayed by many actors which have all provided a different view over their essence and mannerism.

This movie is about a miner who works in Rakita coal mine in South-East Serbia, surrounded by untouched beauty of a rural region, where only a narrow-gauge railway occasionally disturbs the pastoral symphony of a creek hum and shepherd flute.

In the early 19th century the Romanian Theodor Diamant was inspired by the French utopian socialist Charles Fourier and established one of Fourier's "phalansteries" in Rumania. The film dramatizes the origins and demise of this effort, called the "Scaieni Phalanstery (the term is derived from "phalanx" and "monastery"). Among the socio-political commentary that is conveyed throughout, there is an important collusion between the army and the wealthy landowners of the time, and as the film points out in its own way, neither of these groups has ever been convicted of socialist/utopian tendencies.

Set in the dense forests of 1940s Eastern Europe, this story reveals the supernatural encounters that challenge three soldiers' understanding of life and death.

Adi is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

A desperate husband chases a bus full of beautiful women headed for Paris, France.

After a group of biologists discovers a huge network of unexplored caves in Romania and, believing it to be an undisturbed eco-system that has produced a new species, they hire the best American team of underwater cave explorers in the world. While exploring deeper into the underwater caves, a rockslide blocks their exit, and they soon discover a larger carnivorous creature has added them to its food chain.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.