Terminus paradis

When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.

After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.

The story opens with Bica, a solvent abusing waif, trying in vain to evade the Romanian police with her infant brother in tow. Separated from her sibling she is taken to Germany, concealed in the trunk of a car. There she is trained as a thief, picking the pockets of strangers to fill those of her patron. One of her victims is the separated father of Milka, a brat with razor sharp tongue. From this unlikely start a friendship forms and Bica gets a glimpse into a world of material security, if not emotional closeness...

Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism

Present day Bucharest. Estera is pursuing a job opportunity in Atlanta. She puts her hope in a "friend-interview" with Mike, a Romanian-American entrepreneur who reveals himself to be a domineering wreck with issues of his own.

The last days of World War I, Eastern front. Captain Conan, a lone wolf, a true warrior, leads a band of ruthless French fighters who love hand-to-hand combat; they are not fit for peacetime, they only feel really alive in the chaos of the battlefield.

Without warning a father comes to visit his daughter abroad. He believes that she lost her humor and therefore surprises her with a rampage of jokes.

A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.

An intelligence operative discovers that no one is what they seem in the shadowy world of espionage.

Stolen by crusaders on the night of his birth, Radu (Anders Hove) has no knowledge of his bloodline: his mother is a demon; his father is a vampire. Trained and exploited by a brotherhood of mystic monks to slay all enemies of the church, fate brings him back one night to the castle of his father, armed with the monster-slaying Sword of Laertes, to destroy the vampire Vladislas and reclaim a holy relic: The Bloodstone. The events of that night turn Radu from a noble man into a vampire with no master, setting him on a centuries-long quest for sustenance, and companionship, for the treacherous one who stole him from the sun, and for the Bloodstone he hopes will bring him peace.

Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.