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I adored this movie For background info, I love Pharrell. He is my favorite artist and he has been for a long time now. My parents listen to that type of music so I got it from them. I love his music. So I was going in expecting a fun time with great music and I would probably learn a thing or two. But damn, I got so much more. I love the way Pharrell thinks. The way he sees life. It might seem crazy what I'm about to say but this movie changed my perspective on things. On life. The music was amazing just as expected. A lot of Pharrell’s music is nostalgic to me. So hearing these songs just made me feel so nostalgic. The movie is funny too. Not the funniest thing ever but it is funny at times. Guys, don’t compare this to the other Lego movies that came before. They are wildly different types of films. So just because it’s a movie using Lego as their animation style, don’t compare them. I won’t lie with you and say I didn’t get teary eyed at parts of this movie. Cause I feel what he’s feeling. I know. Probably not in the same exact way but similar ways. Just an all around inspiring film. It’s inspired me to just start. It’s never too early to start on your dream. After Hurricane Milton making me and everyone in Florida stressed and not in a good mood, this is something I needed. It made me…**_happy _** **_9.5/10_**
Pharrell Williams has decided to tell us a story of his life thus far using Lego as the creative conduit. The Lego bit is quite impressive and creative, the rest of it is really neither here nor there. Perhaps that's because he is just too young to present us with a compendium of his achievments. The boy from Virginia Beach lucking out when a big noise producer spots his band "The Neptunes" and gives them a chance, his persistence to get noticed, the undulation of his fame, his struggles with success and failure, friendships and family. His increasingly pivotal position in African American culture is all laid out like a yellow brick road, bumps and all, but none of it is particularity interesting. It isn't that different from the story that could be told by almost anyone trying to make it in the entertainment industry - actors, singers, musicians. There are the occasional graphics to tell us who is who, but the lego-fication of the animation sometimes makes it quite difficult to tell the characters apart and it does rely on quite a bit of knowledge of the man's career and of hip-hop to take much from it. It also doesn't really let us appreciate the music. Not that it needed to be a portmanteau of music videos, but the very thing that made and makes him relevant to so many hardly features at all. It's an imaginative production to look at, but the substance is lacking on just about every front.
Our full review here: good.film/guide/piece-by-piece-is-2024s-most-surprising-and-inspiring-movie Oscar-winner Morgan Neville's new music bio-documentary, PIECE BY PIECE is smart, uplifting and wondrous. The whole “LEGO thing” seems like a bizarre way to encapsulate of one of the millennium’s most unpredictable musical talents, but it makes sensational sense when you get to know Pharrell and figure out how his mind ticks. Non-music fans might be tempted to wave Piece by Piece away, but with its focus on the energy we share and the space we occupy, it’s a surprisingly holistic experience for anyone. It’s not so much a film about music as it is about inspiration, and the explosive kaleidoscope of visual creativity on screen truly makes Piece by Piece stand out. Our full review here: good.film/guide/piece-by-piece-is-2024s-most-surprising-and-inspiring-movie
Lili is a typical girl of our time: she's lonely and tries to convince herself that this is what's good for her. But one day, she finds an old package of letters in her parents' apartment, which her mother apparently didn't want to show her at all. Of course, she doesn't hesitate much, she starts reading, and the past comes alive... an unforgettable summer in the early 1990s, when three good friends are on vacation at Lake Balaton, and of them, only Eszter wants to stay faithful to her boyfriend who left her at home, who swallowed a stake. But her plans, which she usually follows with engineering precision, are slightly messed up when she meets Gergo, easygoing, funny and has another very good quality: he plays in a band and performs with his friends on the beach in Szigliget in the evenings.
Chef Ronojoy Ray Choudhury wants to sell his ancestral house in Chandannagore in West Bengal, go to Paris and open his own café but finds a refugee family squatting there instead! When they refuse to budge, Ronojoy must think of a way to get rid of them. Would he dump his longtime supportive girlfriend Vania in Kolkata? Fate has its ways.
Five teenagers join the prestigious Philippine Forest Camp for a chance to travel the world. As they navigate this journey, they unearth far more than exotic landscapes.
Two Nashville music icons, John Hiatt and Jerry Douglas, combine their talents during the pandemic to record the album "Leftover Feelings" in Elvis's favorite studio, RCA's fabled Studio B. Walking in the footsteps of Elvis Presley, Dolly Parton, and Waylon Jennings through the house that Chet Atkins built, John and Jerry attempt to revive and capture the magical sounds of this iconic room where so many early hit songs were made.
New York chorus girl Cindy Lou Bethany becomes frustrated when she prepares for an audition for a Broadway musical, but the auditions close and her roommate, Gwen Abbott, is hired to be secretary to Top Rumson, the show's financial backer. Gwen tells Cindy that the director, Lloyd Lloyd, and composer, Dick Rayburn, have been sent to the South on a talent search for a classic Southern belle type to star in the show, although their shows usually feature Myra Stanhope, an actress whose style is hopelessly inappropriate for this show. Desperate for work, Cindy returns to her aunt Lily Lou and uncle Jefferson Davis Bethany's home in the South and schemes to get Lloyd and Rayburn to audition her.
Director Ted Brooks and comedians Jack Norcross, Dandy Joslyn and Phil Miller are part of a troupe of promising young players rehearsing for a WPA show at the Garrick Theater in New York and are stunned when the government withdraws their funding on the day of the show's dress rehearsal. Destitute, the troupe plans to return home when Mac, the stage doorman, offers to allow four of the men, Phil, Dandy, Jack and Ted, to use the theater for a boardinghouse. After accepting Mac's offer, the men improvise bedrooms out of the set pieces and meet amateur actress Lorie Fenton from Cleveland, who is eager to audition for them. When the men learn she recently received a small inheritance, they allow her to audition, hoping she will back the show.
When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who's a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.
Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
