YAYA

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

After refusing a ritual circumcision intended to usher him into manhood, Rene-boy (10), tries alternate methods to remove this mark of cowardice.

Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.

Cindy leaves her family and moves to the US to marry an American soldier. When her husband dies, he leaves her in debt and is forced to go back to the Philippines with her three blonde children to support them. She then meets Tony, a widower with blonde children as well and raises their children on what it means to be a Filipino.

Having devoted much of his career to programming and film history research, Law Kar, a.k.a. Uncle Kar, places himself before the camera for the first time. This nostalgic trip down memory lane, as he recounts his personal and cinematic experiences, from film criticism, experimental filmmaking to auditioning for Federico Fellini, cumulates in a brief history of Hong Kong cinema itself. Reflecting on the past 80 years, Law Kar's affectionate documentary sheds light on local movies and Chinese cinema, brooding over the socio-political transformation of our perplexed city, as the restless cinephile ponders the role cinema and art play in times of crisis.

Far West Nepal, where maximum labour migration to Bombay happens, is reeling under the impact of an HIV micro epidemic. This documentary is an in depth look into the brave Nepalese migrants’ life in a social, economic and political context.

A 2012 documentary about the making and the legacy of the 1982 drama masterpiece directed by Ishmael Bernal that ended up being one of the greatest Asian films of all time. The revelations about the theory of "Who killed Elsa?" will be answered and also, the impact of the film to the Filipino culture and society.

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

Torky is a bookkeeper working for Baba a millionaire cash management specialist. Because of some conflict in her business that puts her life in danger, Baba entrusts the safety of her son Justin to Torky who takes him home to meet his daughter Ice and Ching the street urchin that the latter took under her wing. Given that Justin is not particularly fond of Torky, how all four of them would get along under one roof becomes the focus of the story.