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In 1970, Kuster Beaton, a former silent-film star, gives an interview looking back over his career. A journalist asks him about his legendary power : an alleged super-speed that enabled him to shoot his films without special effects.
A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.
Abraham Cadabra, an unconfident young man buys a magic book and top hat in the hope of using magic to impress the girl of his dreams, Penelope Predicament. However, when he meets her for a date, he discovers that his rival, Jock Strong has beaten him to it. Abraham tries to use magic to win Penelope over, but magic may not be the solution.
This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1927 comedy feature College was filmed in Hollywood, Los Angeles, and Orange County. A compilation of short films produced between 1917-1922. Coney Island (1917), Back Stage (1919), Convict 13 (1920) and Daydreams (1922).
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
Four visual essays by Silent Echoes author John Bengtson identifying Buster Keaton's shooting locations for his many short films produced between 1920-1923, many in the streets surrounding his former Hollywood studio, the same studio where, a few years earlier, Charlie Chaplin had made his brilliant series of Mutual shorts. Written by Anonymous
The special effects in The Play House (1921) are discussed.
