Narozeniny v parku

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

eyes roam / dancing in step with / my feet which praise the ground

Liam, crippled by his fear of intimacy, remedies his hunger for touch through trips to the beach where he fantasizes a life of connection. His voyeuristic daydream is challenged by a young man, Brayden, who decides to pursue him.

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

A video project meant to highlight the human cost in Palestine.

After the death of his parents in a car accident, a young man sees his sister for the first time in two years, and old family secrets resurface.

A stunning, sweeping technohistory, tracing the human race from birth to obsolescence. Sacred geometry and ominous CGI intertwine with a retelling of the story of Noah to illuminate the illusion of authority and the nature of autonomy in the contemporary digital sphere. Featuring parking meters by master animator Jeremy Fernsler and a breathtaking score by Edward Kurland. The DVD version of Rubicon contains additional interactive material in the audio and subtitle tracks. Selected Screenings: Athens International Film and Video Festival, UFVA 2004 (Honorable Mention), Dallas Video Festival, NewFilmmakers at Anthology Film Archives

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.