Rire (enfin) au féminin

A dramatization of the life of the acclaimed American musician, Prince, who died from an accidental overdose at the age of just 57 in 2016.

This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.

Louis Theroux sets out on a personal quest to meet the ultimate pop idol - Michael Jackson - and examine the often bizarre world that surrounded him and those that worshipped at his altar. The journey began in the summer of 2002 with a simple phone call to Uri Geller - a personal friend of Jackson's - to fix a meeting for Louis. What happened next resulted in a fantastical trek into a weird world of characters who orbited around the 'King of Pop'. Majestic Magnificent, Michael's personal magician, could be the gatekeeper to a meeting or just a fraud. Would Louis, a lifelong fan of Jackson, eventually meet his hero?

The National Library of France is the guardian of priceless treasures that tell our history, our illustrious thinkers, writers, scholars and artists. Telling the story of the exceptional treasures of the National Library of France is like opening a great history book rich in many twists and turns. Without the love of the kings of France for books and precious objects, this institution would never have seen the light of day. The story begins in the 14th century under the reign of a passionate writer, Charles V, who set up a library in his apartments in the Louvre. But it was not until the 17th century, and the reign of Louis XIV, a lover of the arts and letters, that the royal library took over its historic quarters in the rue Vivienne in Paris, which it still occupies.

Highlights Rajamouli’s influence on Indian and international cinema, with interviews and behind-the-scenes footage.

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.