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Recently widowed and facing the loss of her home, the eponymous woman (Shahana Goswami) is offered a chance to take over her late husband's job as a police officer. Having basically inherited his post without any training, her first task is to work with the no-nonsense "Insp. Sharma" (Sunita Rajwar) on an horrific case in which a young girl has been brutally raped and unceremoniously dumped in a fairly lawless area of Northern India. Disgusted by the crime and by the societal attitudes of many of those the investigations touches - who mostly couldn't care less - we alight on a candidate for the crime and what ensues tests not just her mettle as a police officer but her own morals as the methods of interrogation employed by her new boss are not exactly court-ordered. That's the potent thrust of this film for me, and I didn't find that to sit so easily. The atrocity of the crime is symptomatic of cultural attitudes amidst a society where women are little better than chattels to be used and disposed of by men as required. The question of ethics starts to loom large, though, when the suspect is treated with a brutality that asks whether two wrongs make a right. It's a sort of vigilante justice that pays scant, if any, regard for due process and begs huge questions which are addressed quite poignantly at the very denouement of this quite harrowing and thought-provoking drama. The acting itself is all adequate enough but I thought Goswani relied too much on long pauses and silences to convey the sense of conflict faced by her character as the plot developed. She's not helped by the staccato writing that can hit some potent notes at times, but for the most part seems content to let what we are seeing do the work - and that left me feeling a little uneasy about the retributive elements of the drama. There's no doubt that it does provoke a conversation about women's rights in India and about their appalling position within a male-dominated hierarchy, but is throwing the rule of law under the police bus the answer?
When Shivaji and his family and the entire community of his village are one day forced to leave Pakistan, he is separated from his beloved mother, who once adopted him, while fleeing to India. Having grown into a respectable and feared man a few years later, Shivaji now sets out in search of his next of kin. But he also stands up for the rights of his people who are forced into forced labor by an exploiter and devotes his whole life to this task, which is why he is henceforth referred to as 'Chatrapathi'.
Sunny owns a small livestock farm and lives a poor but happy life style with his mother, Sumitra. They wanted the farm to become up to date, so Sumitra decides to make a move abroad in order to bring new equipments for the farm, leaving Sunny in the care of the farm. One day while distributing eggs and chickens, Sunny reaches up with Roma Singh and both can get into the pettiest quarrels and they soon begins to fight and Sunny offers Roma to rebuild his farm house as a part of her punishment. Both soon realize that they are childhood lovers and attempts to rebuild that love once again, both are successful in doing so and plans to get married but there love is opposed by Roma's dad, the wealthy and famous businessman, Sardar Dinesh Singh Girji, who will do anything in his power to prevent Roma and Sunny from meeting leave alone marriage.
A young couple on a weekend getaway inadvertently intrude on a criminal couple's remote hideout, triggering a violent battle for freedom. Escape attempts, shifts of power, relationship issues and a looming secret fuel this confrontational encounter.
A fearless, faithful albeit slightly forgetful Mumbai cop, Veer Sooryavanshi, the chief of the Anti-Terrorism Squad in India pulls out all the stops and stunts to thwart a major conspiracy to attack his city.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
Drama engulfs the household of Edith Ann and her family during the holidays.
19 year old Linnéa leaves her small town in Sweden and heads for Los Angeles with the aim of becoming the world's next big porn star, but the road to her goal turns out to be bumpier than she imagined.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
CLUB 60 is about Letting Go after spending the required time in grieving for the loss of a loved one. But what is the required time-frame to grieve? And is it right to always stay in a grieving position? What about the people around you, who are also hurting because of your grieving? And does grieving endlessly really help the one who is gone away? Club 60 is also about embracing life, post 60.
A flying prodigy, Captain Vikrant Khanna's flight takes a stirring and mysterious trajectory after take-off from an international destination. Concurrently, it follows the tenacious Narayan Vedant in his pursuit to uncover the truth.