All You Are Going to Want to Do Is Get Back There

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.

Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? "Masking Threshold" combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.

In a town where people are missing, and desires turn into disaster, the mystery of what's behind it all has uncovered the dark truth: a real estate agent is taken prisoner by the deranged tenant of his newest listing.

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Dr. Forti carries out strange experiments, assisted by his son Pablo. They embark on an expedition to the jungle. Eight years later Forti returns without his son but strange things start to happen in the old house where they live.

A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points toward the detective as the prime suspect, a ghost in red follows him, and he begins to question his identity. His realization of what seems to have really happened results in something much more sinister and larger in scope, and it leaves his psyche scarred.

A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.