The Return 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Bad Shepherd 2024 - Movies (Jan 17th)
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Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
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Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Love Island- All Stars - (Jan 18th)
The Masked Singer - (Jan 18th)
Gladiators - (Jan 18th)
Sarah Beenys New Life in the Country - (Jan 18th)
Saturday Kitchen Live - (Jan 18th)
The Katie Phang Show - (Jan 18th)
Alex Witt Reports - (Jan 18th)
Ainsleys Fantastic Flavours - (Jan 18th)
James Martins Saturday Morning - (Jan 18th)
The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The 11th Hour with Stephanie Ruhle - (Jan 18th)
Casualty - (Jan 18th)
"Aurora" (Joana Santos) has left the warmth of Portugal and moved to a rather dreich Scotland where she works as a picker in an warehouse. The job is the epitome of mundanity and repetitiveness - walking the aisles scanning items bought online and making sure she does it quickly enough to earn her paltry reward at the end of the week. It couldn't quite be called "slavery", but it's not a kick in the shirt off it as she and her colleagues collect the minimum wage for their work. She lives in a flat-share where the daily routine extends to microwave meals and the occasional chat with her flatmates. One new lad, "Kris" (Piotr Sikora) arrives and seems a little more inclined to break the monotony of things, but she accidentally drops her phone and the £99 it costs to have the screen repaired pretty much wipes her out for the month and reduces her to a starvation diet. Perhaps there are hopes of a new job? At any rate, she has to break this depressing cycle before it breaks her! This film doesn't miss and hit the wall when it presents us with the automation of human life. "Aurora" lives a life of a robot, and the brain-rot that it induces is plain to see, but sadly it also indices a bit of ennui in the viewer too. It's very authenticity is what makes it dull to watch and none of the characterisations are remotely developed enough to make anyone care about her. Sure, the environment is a shocking indictment of the consumer culture that is best exemplified here by a team brief in which they celebrate the corporate glory by giving the staff a cup cake, but once that point has been made and absorbed, the rest of this is just as unchanging as the message. Why is she here? Why doesn't she return home? Her emotional and physical isolation seems contrived for dramatic purposes rather than being particularly plausible. The acting is competent enough and there isn't so much dialogue to trouble us so maybe that's why I found it all just a bit too one-dimensional.
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy - full of obsession, deceit and jealousy with dangerous and deadly consequences.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.
Fantasy A, autistic Seattle rapper, suffers trials and tribulations from total creeps as he attempts to become a superstar. Along the way he also finds a mattress to sleep on, after being kicked out of his group home.
In 1999, a young girl explores the challenges of adulthood whilst desperately clutching onto her childhood.
Unemotional, restrained cinematographic poem, situated in a wintry and poor suburb of Tehran. A man is dismissed and his lack of prospects for the future make him decide to seek his happiness abroad. He leaves his wife and child behind and for a long time nothing is heard of him. Then a stranger turns up, a car mechanic looking for a job. The attractive single mother can’t resist his attentions. Very subtly, a struggle ensues that reflects that of a whole generation of young doubting Iranians who may want to leave the country, but hardly know how to start.
Daimi is 12 years. It's Christmas, and she has tragically been left in a dark home with her only friend, a pet pig. Daimi's imagination overshadows reality. A reality she realizes with a scream. Daimi is not as alone as she thinks.
An actor who is considering the role of a supermarket manager arrives at a grocery store on the outskirts of Los Angeles to do some field research. He subsequently becomes stranded, without a car or cell phone, and accepts a ride home with Scarlet, a cashier who is about to interview for a new job. The actor rediscovers the essence of his craft while helping Scarlet gain the confidence she needs to change her life.
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
Marvin, a heavy-drinking widower meets Tige, an 11-year-old orphan. With nowhere else to go, Tige moves in with Marvin and they develop a close friendship. Marvin wants to adopt Tige but knows that he is too poor to give him a good home. Then he discovers who Tige's father is a rich suburbanite who doesn't even know Tige exists. Should Marvin, and can he, give up the boy he loves, and who loves him, in favor of a stranger with the right genes and bank balance?
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)