Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
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Omni Loop 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
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Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
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Dark Night of the Soul 2024 - Movies (Jan 28th)
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The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Green Eyed Killers - (Jan 31st)
Watch What Happens Live with Andy Cohen - (Jan 31st)
Southern Charm - (Jan 31st)
Crime Nation - (Jan 31st)
Police 24/7 - (Jan 31st)
The One Show - (Jan 31st)
The Chase Australia - (Jan 31st)
Extreme Makeover- Home Edition - (Jan 31st)
Reality of Wrestling - (Jan 31st)
Tribunal Justice - (Jan 31st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
I was initially apprehensive about watching The Mouse Trap, given the recent trend of rushed public domain movies that have often been boring and unimaginative. However, when Mickey Mouse became public domain in the form of Steamboat Willie and this film was announced, I was curious to see just how exploitative it might be. The Mouse Trap is undeniably a low-budget slasher film, and it wears that label proudly. The film leans heavily on the Mickey Mouse character and Disney-related puns, almost to the point of overkill. The film’s one-dimensional storyline doesn’t do much to add depth or coherence, leaving viewers with more questions than answers as to the motivation behind the carnage. The overuse of Disney references, while initially amusing, quickly becomes tiresome. The film seems to rely on the novelty of incorporating a beloved public domain character into a slasher context, but this novelty wears off as the movie progresses. For instance, the antagonist’s costume—a grotesque parody of the classic Steamboat Willie design—loses its impact after the first few appearances, becoming more of a distraction than a source of genuine horror. That said, there’s an undeniable sense that the cast and crew had a great time making this movie, and that enthusiasm does shine through in the performances and the film's visual style. The actors, despite the flimsy script, seem to be fully committed to their roles, bringing a sense of fun and energy to the production. The visual style of the film, while not groundbreaking, is creative within the constraints of its budget. The filmmakers clearly took inspiration from classic horror tropes and combined them with a playful, almost satirical approach. Overall, The Mouse Trap may not be a masterpiece by any stretch, but it has its moments of entertainment. While the film’s reliance on Disney puns and the overuse of the Mickey Mouse character can be grating, the clear enjoyment of the cast and crew adds a certain appeal. It’s a film that’s fun for one watch, especially for those curious about how far a public domain slasher can push the boundaries, but it likely won’t hold up to repeated viewings. If you’re in the mood for a campy, low-budget horror flick with a unique twist, The Mouse Trap might be worth a look—just don’t expect too much beyond the novelty.
I was initially apprehensive about watching The Mouse Trap, given the recent trend of rushed public domain movies that have often been boring and unimaginative. However, when Mickey Mouse became public domain in the form of Steamboat Willie and this film was announced, I was curious to see just how exploitative it might be. The Mouse Trap is undeniably a low-budget slasher film, and it wears that label proudly. The film leans heavily on the Mickey Mouse character and Disney-related puns, almost to the point of overkill. The film’s one-dimensional storyline doesn’t do much to add depth or coherence, leaving viewers with more questions than answers as to the motivation behind the carnage. The overuse of Disney references, while initially amusing, quickly becomes tiresome. The film seems to rely on the novelty of incorporating a beloved public domain character into a slasher context, but this novelty wears off as the movie progresses. For instance, the antagonist’s costume—a grotesque parody of the classic Steamboat Willie design—loses its impact after the first few appearances, becoming more of a distraction than a source of genuine horror. That said, there’s an undeniable sense that the cast and crew had a great time making this movie, and that enthusiasm does shine through in the performances and the film's visual style. The actors, despite the flimsy script, seem to be fully committed to their roles, bringing a sense of fun and energy to the production. The visual style of the film, while not groundbreaking, is creative within the constraints of its budget. The filmmakers clearly took inspiration from classic horror tropes and combined them with a playful, almost satirical approach. Overall, The Mouse Trap may not be a masterpiece by any stretch, but it has its moments of entertainment. While the film’s reliance on Disney puns and the overuse of the Mickey Mouse character can be grating, the clear enjoyment of the cast and crew adds a certain appeal. It’s a film that’s fun for one watch, especially for those curious about how far a public domain slasher can push the boundaries, but it likely won’t hold up to repeated viewings. If you’re in the mood for a campy, low-budget horror flick with a unique twist, The Mouse Trap might be worth a look—just don’t expect too much beyond the novelty.
As the residents of the Pi Kappa Sigma sorority house prepare for the festive season, a stranger begins to harass them with a series of obscene phone calls.
With the help of a radio DJ, Texas ranger Lefty Enright finds his way to the cannibalistic Sawyer family's underground slaughter shop, where he seeks to avenge the brutal murder of his kin.
Nearly thirty years after the strange disappearance of a Canadian baseball team, a recovered VHS tape reveals their shocking final moments as they're hunted down by a backwoods psychopath.
Trainees in the FBI's psychological profiling program must put their training into practice when they discover a killer in their midst. Based very loosely on Agatha Christie's And Then There Were None.
A group of history students are promised a reward if they can find the ancient tools of legendary blacksmith, 'One-Eyed Yardley', who murdered the townspeople of a remote rustic village in the 1800s. Legend says his ghost still stalks these haunted grounds...
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
A wearer of a parasitic mask with black magic sheds blood on Halloween. 16 years later, a killer with the same profile slaughters Angel's friend, who then must fight fear, overcome personal struggles and unmask the murderer before someone else dies.
Three young hikers in the woods settle down by a campfire to relax and have a good time, but someone is watching them.