白い牡鹿たち

Boy Leyton is second mate on board the Lady Spray, the ship on which his father is Captain Leyton. Boy is often chided by his father for his effeminacy and more often beaten. While in port Boy proposes to Minnie and suggests that she go to Glasgow to meet him there to be married. The ship sails and the Captain learns of his son's intention to marry. He calls him in and tells him about his mother, who deserted him, and tries to turn him away from all women, but Boy refuses to listen. The Captain is suddenly taken ill, but before he dies he makes Boy promise that he will not marry until he has found the man who wronged his mother. The Captain is buried at sea and the ship continues on its course. Upon reaching Glasgow Boy tells Minnie what happened. While at the bar, he meets an old woman who comes in begging. During the conversation he discovers that she is his mother, and he forces her to tell him who her betrayer was. A lost film.

Gold miner Edd Denmeade loves Lucy Watson, the sister of the official mining claim recorder. Denmeade suspects Watson of killing his father, who after a poker game was shot by a gambler "who shuffles with one hand." The real murderer, Sam Spralls, has convinced Watson that he killed Denmeade and threatens to expose him unless Watson assigns him all the gold claims. Spralls assembles a band of killers to jump the claims when Watson complies. Eventually, Denmeade learns the identity of the killer when he sees Spralls shuffle a deck of cards. He forms a vigilante party and rids the community of Spralls and his gang.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Ezra Hickman, of Kankakee, is a political aspirant. At a reception in Washington with his wife and daughter Amy he meets the Ambassador of Selim Bey, the ruler of a small European kingdom, Vergania. The Ambassador, seeking an American girl for his ruler, paints a glowing picture of Vergania to Hickman's wife, with the result that she persuades her husband to accept the American Consulate at. Vergania. Amy, the daughter, is enamored of Lieutenant Brice of the U.S. Navy, and reluctantly she agrees to leave him and go with her family.

Directed by Max Urban.

Penniless aristocrat Yvonne Dupré ekes out a living selling her paintings to a crooked dealer, Leon Naisson, who passes them off as other more famous artists. Leon confides to his unscrupulous model Romildo, that he is attracted to Yvonne. Romildo drugs his lover, fiery Apache dancer Juliette who closely resembles Yvonne, then tries to extort money from Leon to have his way with her. Leon discovers the duplicity but convinces the artist's sweetheart, Dick Gray, that she has been unfaithful. As police close in on Leon, he frames Yvonne by planting forged paintings in her studio. Following Yvonne's arrest, Juliette is informed by her foster sister that she was stolen by gypsies as a child and is actually Yvonne's twin sister. Juliette exposes Leon's operation to the police, reuniting Yvonne and Dick.

Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.