Finster

Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

At the Creedmoor Psychiatric Center in Queens, New York, Dr. Janos Martin helps treat patients with severe mental illness by encouraging them to express themselves through art, whether in paint, sculpture, or collage. In vivid imagery, brilliant close-ups, and delicate conversations, director Jessica Yu presents the intricate, often visionary, work of these nontraditional artists, allowing the patients to describe their approaches and processes in their own, sometimes tangled, words. With patience and calm resilience, Dr. Martin offers feedback and ideas for best methods to the individual artists, who sometimes scream or are in tears, as he helps them displace their frustrations, and demons, onto canvas. Seen as a collective, these works illustrate the fine line between creativity and distress and illuminate the healing power of expression.

A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".

Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.

Serapio tells us about the heritage of his father, Candelario Medrano, and his own work while teaching new generations to find their own artistic style.

Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.

In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.

Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”

In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.

A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.