Ink & Ivory

Filmmaker Alexander Freeman who was diagnosed with cerebral palsy at the age of two, was raised by his loving and supportive parents but the one thing he has always wanted was to be in a loving relationship with a woman and to have a family of his own. When Alexander meets his life partner Orina by chance at a film screening his life changes forever for the better, especially when his daughter Maya is born. As Alexander and Orina raise Maya, have a commitment ceremony, start their lives together, and struggle with life's challenges, Alexander's parents learn to accept that Alexander can live a normal life independently and can be a great father despite their original views on the pregnancy.

Documentary about the 1970 film, "End of The Road."

Retrospective documentary featuring interviews with Ethan Wiley, Sean S. Cunningham, Arye Gross and Jonathan Stark, among others.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.

ADM:DOP (Anthony Dod Mantle - Director of Photography) is an impressionistic look into the creative life and vision of cinematographer Anthony Dod Mantle, the genius eye behind Harmony Korine's Julien Donkey-Boy, Lars von Trier's Dogville, Danny Boyle's 28 Days Later and Thomas Vinterberg's first two features, Festen and It's All About Love.

Aspiring directors Lev Zaretski (a sadist) and Ruslan Romanov (an anime MC) will show you how to properly write a screenplay; cast actors; do a film shoot; and answer questions from annoying film festival attendees.

Hidden away at the end of Mulholland Drive, just north of Los Angeles, lies the Motion Picture & Television Fund. Its residents were once the backbone of American showbiz. The Fund gives them a home and new meaning in their old age. Still going strong in their own studio, they produce short films and pursue other creative projects. This documentary follows one such project from the first brainstorming session all the way to the premiere, revealing enduring dreams and hopes beyond the limelight — and lessons in life and love.

Documentary about Merchant Ivory Productions, including interviews with the principals of the film production company and actors which have appeared in their films.

'Giallo' is Italian for 'yellow', the color of the lurid pulp novels that inspired one of the most intense, extreme and influential genres in movie history. In this unprecedented collection, experience the full chronological evolution of giallo with more than 100 rare and classic trailers from such masters as Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino, Antonio Margheriti, Umberto Lenzi and many more. Then slip on black leather gloves and set the mood with a Bonus CD of legendary soundtrack music from composers that include Ennio Morricone, Riz Ortolani, Bruno Nicolai, Stelvio Cipriani and others, along with all-new featurettes that thrust even deeper into the genre. "But be warned," says Gizmodo.com, "Once you start going down the blood- slicked giallo rabbit hole, you may become dangerously obsessed."

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.