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Australian Idol - (Mar 9th)
Family or Fiance - (Mar 9th)
48 Hours - (Mar 9th)
Sunday Brunch - (Mar 9th)
The Tommy Tiernan Show - (Mar 9th)
Have I Got News for You - (Mar 9th)
Australian Survivor - (Mar 9th)
Married at First Sight - (Mar 9th)
Space Invaders - (Mar 9th)
Lonely Planet- Roads Less Travelled - (Mar 9th)
Gladiators- Epic Pranks - (Mar 9th)
Screwballs - (Mar 9th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Resolution is, for lack of a better term, a neolovecraftian film, relying more on personal conflict and atmosphere than on 'jump scares' or visual effects, developing an absorbing, character-driven plot along the way. Inside a dilapidated house we witness the tug-of-war between Michael (Peter Cilella), who wants to 'save' drug addicted Chris (Vinny Curran), and Chris, who doesn't want to be saved and thinks, not without reason, that Michael’s motives are selfish. This is all very good stuff, even if Curran is too plump to be an addict, and what he undergoes isn't so much withdrawal as irritation at Michael. Outside the house, which Michael soon discovers is on a Native American reserve, there is quite a fauna of quirky characters who range from baffling but harmless to outwardly laughable but nonetheless dangerous. In the lovecraftian tradition, Michael is the level-headed hero, coming from an orderly and practical world, who inadvertently crosses an invisible border into a place where the abnormal and the subhuman are the norm rather than the exception. Michael finds strange documents in the land surrounding the house; texts, photos, and videos that recount ominous past events and contain foreboding omens for the near future. Directors Aaron Moorhead and Justin Benson (who also wrote the screenplay) give the found footage technique one of the best uses I've ever seen, because here we actually see someone finding the footage and reacting to it, while we in turn react to his reaction. I find this a more effective approach than just showing us the supposed footage directly, which always seems incomplete by accident as opposed to by design. The problem with this film – and it’s a doozy if, like me, you set a lot of store by a movie’s aftertaste – is that the makers are more popish than the Pope; or, in this case, more lovecraftian than Lovecraft. HPL’s brand of cosmic indifferentism works better on paper than it does on the screen, because mood, after all, can only take you so far audio-visually – and the mood Resolution leaves you in is of the foul variety, thanks to the obligatory, anticlimactic, intelligence-insulting final shot suggesting that the evil will continue. I’m not saying a happy ending should have been in order, but I do wonder, is it too much to ask of a movie called Resolution to have a conclusion wherein the conflict is, you know, resolved? And the worst part is that this film already had a perfectly cathartic denouement before that last shot that is the equivalent of giving the audience a giant middle finger.
She's sexy, shameless and loves taking people to their limit. She's a dangerous young woman who dreams about a jaguar that licks her naked body and sleeps by her side. Her past is bathed in blood and weird passions. Now she's met the man of her wildest dreams. He's dark, tough and mysterious. He likes robbing banks, trafficking in corpses and spicing it all with voodoo rituals. Together, the duo sets off toward Mexico destined to become the most feared outlaws in the continent.
A man, crippled in an accident, returns to the woods after rehabilitation, certain that he'll not see Bigfoot again.
Jesse Walsh moves with his family into the home of the lone survivor from a series of attacks by dream-stalking monster, Freddy Krueger. There, he is bedeviled by nightmares and inexplicably violent impulses.
In a Asian desert, a team of explorers learn of a newly discovered cave system and set out to explore it. However as soon as they begin the descent, it becomes clear that this was a secret that should have remained below the surface.
Marshall Lawson is the commander of an elite military unit. Marshall Lawson loses his strike-team in a cold-blooded and seemingly random attack, and he takes it upon himself to investigate the attack, with the help of his girlfriend Tia and his friend Dwayne.
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.
6th-grader Terkel begins experiencing a streak of bad luck after sitting on a black spider. His teacher dies and is replaced by the strange Justin. At home, Terkel's Uncle Stewart erupts in sporadic fits of rage, and at school Terkel is bullied by two boys after they learn that fat Doris likes him. On a school camping trip, Terkel begins receiving death threats and must figure out who wants to kill him.
Annie, a young schoolteacher struggling to solve the brutal murder of her father, unwittingly summons the "Candyman" to New Orleans, where she learns the secret of his power, and discovers the link that connects them.
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
In a town of low-income and fractured families, a group of teens are lured into working for a dangerous drug dealer. A new girl arrives who hides a dangerous secret that will impact everybody and change their lives forever.
