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So guess what... A group of loud and brash twenty-somethings decide to take a weekend break in a remote cabin and manage to arouse the wrath of a long buried corpse who emerges and wreaks havoc on them and the poor old park ranger (Reece Presley). Sound familiar? That's probably because this hasn't an original bone in it's body and after about fifteen minutes I suspect you'll just think these kids actually deserve everything that "Johnny" can come up with. The victims are the usual mix of couples who are together, were together, want to be together; there's the obligatory couple of lesbians (though not for long) and way, way, too many meandering shots of the malevolent critter walking through the woods time and time again. There's some quite entertainingly graphic use of visual effects now and again as he makes good use of his chain, spike, hook and axe - but the big question is: can he be stopped before auteur Chris Nash starts thinking sequel? I suppose the moral of the story is - don't take things that don't belong to you; and maybe if this were shown in primary schools across the country, it might serve as an effective illustration of the risks of violating the seventh commandment. Mercifully, there's not much dialogue to speak of leaving us with a standard forest slasher that will be fine for wallpaper on the television after you've had a few pints.
Slasher fans are going to admire writer / director Chris Nash’s fresh and original, yet still traditional, take on the horror sub-genre with his sadistic film “In A Violent Nature.” With his distinct style and extremely unsettling movie, Nash subscribes to the Terrence Malik school of thought with a “less is more” approach, delivering a visually impactful and terrifying film that’s filled with violence, gore, and a brooding atmosphere that makes it feel wholly unique. Johnny (Ry Barrett) is a vengeful spirit who is resurrected and ready to deliver payback after a horrific crime that occurred over 60 years ago. Johnny’s been brought back to life when a group of friends remove his treasured locket from his final resting place, a collapsed fire tower that lies deep in the woods. What follows is a methodical slaughter of the group that disturbed his locket, and it is clear that Johnny isn’t going to stop until every single one of them is dead. Nash’s stylistic choices are so effective here, as he uses long shots of the back of the killer’s head to create a sense of dread without showing his face. He’s hulking and frightening, and being forced to imagine his appearance goes so far in conveying a stone-cold nature that leads to feral and brutal massacres. Viewers are immersed and walking right alongside the murderer instead of the victims, creating a more penetrating, intimate, and less detached experience, a perspective that’s rarely explored in horror films. It’s disturbing, especially when you consider the killer’s lack of motivation. I was constantly asking “but why?,” and the randomness of his killing spree is what makes it so scary. Simply put, if you’re there, you’re dead. The movie demands concentration and patience, but rewards viewers with a chilling, atmospheric experience. Heavily reliant on narrative-driven dialogue and visual imagery, the film is suspenseful and clever. Nash lets his camera observe with a detached yet intimate lens, savoring each bloody kill without being overly gratuitous. It’s the type of approach that will earn the respect of genre fans, delighting both horror lovers as well as artsy, hardcore slasher aficionados. That’s not to say that there’s not a fair share of violence. The film features some truly gory and creative kills that are made even more horrific with Nash forcing audiences to watch the grisly brutality unfold. With zero humor to break the tension, this in-your-face experience is something that dedicated horror enthusiasts and those who savor the most macabre elements of the genre are going to love. The suspense is palpable, especially as the camera lingers on the kills in a way that makes them both artistic and heinous. “In A Violent Nature” is classic slasher flick with a twist. It’s suspenseful, clever, and innovative in its storytelling. By: Louisa Moore / SCREEN ZEALOTS
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
The search for a child murderer drags a once-respected detective into an all-consuming obsession.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.