Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Deal or No Deal - (Feb 11th)
Independent Lens - (Feb 11th)
A Terrified Teacher at Ghoul School - (Feb 11th)
Piers Morgan Uncensored - (Feb 11th)
Betting on Paradise - (Feb 11th)
The Ingraham Angle - (Feb 11th)
Jesse Watters Primetime - (Feb 11th)
The Five - (Feb 11th)
Chris Jansing Reports - (Feb 11th)
Historys Most Shocking - (Feb 11th)
Historys Greatest Mysteries - (Feb 11th)
Perfect Match - (Feb 11th)
Family Feud Canada - (Feb 11th)
Son of a Critch - (Feb 11th)
Fist of the North Star - (Feb 11th)
Robson Greens Weekend Escapes - (Feb 11th)
Watch What Happens Live with Andy Cohen - (Feb 11th)
The Chase - (Feb 11th)
The Chase Australia - (Feb 11th)
Storyville - (Feb 11th)
Before the times of momentous change, when the resources of rationality are in crisis and categories considered common sense are being deconstructed, the transformative energy of the people’s fury and despair bring into play charismatic characters who operate with the dark forces of irrationality. At the dusk of empires renegades, adventurers, conspirators, and quasi-religious leaders seek to instrumentalise imperial symbolism while perverting its very essence. Tyrants, in fear of these people’s attempts at the status quo, respond by repressing them. Such are the cases of Pussy Riot’s prayer and a Yakutian shaman’s march on the Kremlin to cast Putin out of it: Pussy Riot being sentenced to a two-year jail term and the shaman forcefully placed in a psychiatric ward long before making it to the Kremlin. The protagonist of the film arrives to the presidential suite in a hotel near the Kremlin to perform a ritual. There he weds a pike who, being a character of Russian folk tales, discloses the secret knowledge of aquatic cum agrarian symbolism of the Soviet coat of arms leading him to reconstruct it with the ears of wheat, crawfish shells, and an amorphous blub in place of the globe. To complete the puzzle of the ritual the shaman invites the woman from the Hentai-like porn seen on the hotel’s television to invoke a perfect weapon and aim it straight on target. Nikita Vasilenko
Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
