Charlélie - Les Statuts de sa Liberté

This documentary explores Bob Einstein’s unlikely discovery and enduring career, sharing the many evolving layers of his comedy from the people that knew him best.

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.

An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.

“Earth Hum” is dedicated to Rachel Martin’s Family Tree, a drawing that combines art, earth, and love all into one. In a conversation with Martin, we learn a little bit more about her art told through her own voice and drawings as well as the ethereal presence of friends and old Super 8 footage. Like Martin says, in art, you see that there are magical things happening but it is really very human.

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.

The tragic story of the greatest soccer player the most have never heard of.

As the only black Formula One driver in history, Lewis' journey to becoming the most decorated Formula One driver in history, is one of dreams, courage, and determination.

An inquiry into two of the most influencial French filmakers friendship and feud.