Making of du génie de la boîte de raviolis

Augusta tries to pacify her crying infant by feeding it a nutritious meal.

In a dismal and decadent world, a little Saint cares for various beings with suicidal tendencies. A strange visit warns the Saint not to interfere with the supreme order of things, whereby the natural law of martyrs takes precedence over kindness and affection

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The animated adventures of "Tonka Tom" a gay plastic cowboy. Hitch-hiking, two-stepping at the local gay bar, and enjoying a campfire with a friend and his trusty dog.

At the museum they suddenly realise that one of the poison arrow frogs has escaped from its cage. Panic! Everyone is terrified, because the poison arrow frog is one of the world's most poisonous creatures. But fortunately there's a hero at the museum that day! We're not going to give away how he saves everyone, but let's just say that frogs and people aren't that different after all.

The story of Small and Large Rabbit. Made after a 1925 lithograph by Nils von Dardel.

Grinders, rag-men, China menders, mattress carders are among those small trades of yesteryear that have disappeared from our sight and fallen into oblivion. But way back in 1931 they were far from extinct and still populated and livened up the streets from dawn till dusk. The tenderness of Pierre Chenal look at them is only accentuated by the nostalgia experienced by today's viewer.

I ran from it and was still in it poetically interweaves personal family memories with original and found footage to offer a more complex portrait of familial loss and separation. Kae wades through deep emotions surrounding the death of his father and the sudden relocation of his children, repurposing intimate family scenes from his personal archive by pairing them with online media from a variety of sources to explore how the autobiographical model can potentially extend beyond the personal.

Two unusual people make contact in German at a London coffee house.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.