Dulwich College and Village

The story of Jadav Payeng, an Indian man who single-handedly planted nearly 1400 acres of forest to save his island, Majuli.

A portrait of a seemingly ordinary house - one that holds cherished memories while also bearing the burden of abandonment and neglect. Revisiting my grandparents’ house, I find myself exploring the intersection of home, nostalgia, and the passage of time while trying to grasp the essence of a place where time seems to stand still.

What’s it like to age with early-phase vascular dementia? And how about your loved ones? Successful author Heleen van Royen has taken on caring for her elderly mother and films their frequent meetings. Increasingly, Mrs Breed’s life consists of confusion and unbearable stabbing pains that she tames with a mantra. She regularly refuses help, good advice and a Zimmer frame, although she is also thankful for her committed daughter’s support.

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.

As the nights go by, a young filmmaker uses his video camera to express his thoughts, dreams, and inner turmoil to an online friend.

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

An international tech entrepreneur with a fondness for architecture asks Rem Koolhaas to build a house on an impossibly small piece of mountainside in Zell am See in Austria. The architect of the celebrated book S,M,L,XL seizes the challenge: how to draw light into a house less than four metres wide that is mostly underground? Photographer and filmmaker Frans Parthesius followed the building process and offers insight into Koolhaas’s way of working and the special relationship with his client.

A south-facing house stands in Gyeonggi Province. Within its walls reside four people: mom, dad, grandpa, and me.

Documentary warning about the decline of American public schools as they become more and more privatized.

An ancestral house builds itself, comes to life, and shows us its story spanning one hundred fifty years. Through the ages, it allows us to perceive the passage of time.