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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
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Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
From Dusk Till Dawn 2: Texas Blood Money had the deck stacked against it, not only because it is a sequel, but because of the movie to which it is a sequel. What in the original was an unforeseeable surprise becomes expectation here, and we’re left simply waiting for the other shoe to drop. Having said that, this film is better than it has any right to be, precisely because it knows how dumb it is. An old band of bank robbers is getting back together for one more score, which they insist on carrying out even after most of them have been turned into vampires; this would only make sense if it were a blood bank. To its credit, Texas Blood Money is not oblivious to the situation’s inherent silliness; when asked "What in the hell are vampires doing robbing a bank?," protagonist Buck Bowers (the always effective Robert Patrick) deadpans: "I suppose vampires need money just like anybody else." Insofar as the movie works, it does so because of the cast, who bring to the script more than it brings them. The filmmakers try too hard to emulate Tarantino and Robert Rodríguez at the peak of their powers, and can’t even reach the low levels to which those have sunk nowadays. As far as horror/fantasy sequels are concerned, From Dusk Till Dawn 2: Texas Blood Money exists in the same limbo as The Crow: Wicked Prayer. This not the best vampire movie ever, but it’s by no means the worst either.
Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.
A young woman suffering from mysterious physical ailments is horrified to discover that she is descended from generations of vampires. When she’s with her boyfriend, she struggles to control her peculiar appetite. But it’s in her blood . . .
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
In an effort to prove the existence of vampires, a film crew documents the daily routine and late-night stakeouts of a self-proclaimed vampire hunter.
A sheriff begins an investigation into the death of a local transsexual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.
A private detective, a young woman, bank robbers and crooked cops all embark on a chase for a piece of paper that will lead them to three million dollars.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
When a bank is robbed, a not-so-bright teller is wrongly suspected of being part of the holdup team. Comedy.
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.