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In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.
The Making of feature for the George Lucas movie 'THX 1138'.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.
Follows the compelling story of how the brutally honest 'End of the Road' was made, the obstacles it overcame, and its lasting impact.
In this fun and educational piece, animal experts talk about the real creatures that inspired the characters of Rango and the filmmakers explain why they chose specific animals to reflect certain personality traits.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
