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At a secluded summer camp, timid and introverted 12-year-old Morgan is thrust into a waking nightmare when a once-fabled campfire tale becomes real. As a mysterious figure descends upon the camp, Morgan and his newfound friends must embark on a treacherous journey and uncover a sinister reality buried beneath the surface.
Set in 1987, a group of filmmakers venture into the California wilderness to film a shot on video slasher movie and soon find themselves systematically crippled, butchered and devoured by a family of feral cannibals.
Reese finds herself in the desert after a party when her drunken girlfriend hurts someone. When she wakes up, they are preparing for the same party. The time is ticking to solve the time loop, while those around her become increasingly beaten and broken, mentally and physically.
The “Summer Camp” horror trilogy was one of the most popular franchises of the 1980s. However, the decade ended and so did director Julian Barrett’s career. Now Barrett plans to resurrect his gory series via a modern reboot patterned after reality filmmaking. With his former leading lady and an eclectic group of 10 young “contestants,” Barrett returns to the same locale where his old splatter-fests were filmed. When one of the campers is found savagely murdered, they realize there’s more at stake than just fame and fortune. Each of them is in a fight for their lives as they realize summer is over – forever.
In a post apocalyptic world where vampires and witches rule, a male vampire falls in love with a human man, and wants to make him immortal.
Police Commander Falcon is on the hunt for a serial killer. When the murderer switches clothes with a vagabond and fools the police forces he resumes his killings and goes after Falcon and his family.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
A plumber and his germophobic son are forced to get their hands dirty to save the residents of an apartment building, when a genetically engineered, blood-thirsty creature escapes into the plumbing system.
Based on South African Tokolosh myths & legends. The Tokolosh is believed to be a dwarf like creature that has been killing people since 1838. Set in modern day South Africa a young architect tries to find out more about his wife's mysterious death and realizes there is something more sinister at work.