Take a Hit

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

It's apple time, and all the strange little Fleischer bugs waste no time getting the apples to ferment so that they can immediately get drunk.

Willie Whooper, doused in reducing creme, shrinks to the size of a mouse and is chased by a cat throughout a house. Finally Willie returns to normal size and angrily covers the cat in reducing creme. The cat now shrinks to mouse size, and gets a black eye from the mouse he habitually torments.

After mysteriously awakening in a barren alien landscape, a self-serving prisoner must conquer a series of grueling trials in order to reunite with his lost love.

In the depth of a dry valley, there are two boys named Yu-bin and Geon, who are each other’s one and only friends. The dry stream serves as the best hideout and playground for them, but nobody seems to understand.

Névine, a secondary school monitor, is fully committed to her somewhat thankless day job, dealing with teachers, administration and students. Logan, a pupil she is found of insists on getting a cap back from lost and found. She has no idea of the consequences of her gesture.

Two deadbeat photocopier technicians discuss their recently deceased boss, who has been found dead the morning of. The conversation turns sour and some sinister and bizarre truths are revealed.

Representing the rhythmic movement of leaves or petals in higher plants in response to the onset of diurnal changes in light, Nyctinasty emblematically translates these crucial movements of self-preservation and survival to echo the ways humans face the delicate balance between the physical world and the spiritual realm. This ‘in-between’ - a space operating on multiple frequencies, where spirits linger and the mind and body shift into a state that tethers life, death and afterlife together as one - revealing the unbroken link of communication between the two.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A woman hires a family rental service to help navigate through her troubled past.